Ansel Adams

American, 1902–1984

The Grand Tetons and Snake River, 1942

Gelatin silver print
15.8 x 19 in. (40.13 x 48.26 cm.)
Frame: 27 x 30.25 x 2 in. (68.58 x 76.84 x 5.08 cm.)
Signed, inscribed, dated and stamped on verso

Printed 1975

Lot ID

140646
Ending
Estimate

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Susanna Wenniger
Head Of Photographs

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Lot Details

About This Lot

This print of "The Grand Tetons and Snake River," shot in 1942 and printed in 1975, is a rare and perfect example of Adams' visionary photographs of western landscapes. He was the recipient of three Guggenheim grants to photograph national parks from 1944 to 1958. Seen in a more traditional art history context, Adams is the last and defining figure in the romantic tradition of 19th Century American landscape painting and photography.

Ansel Adams (1902-1984) technical mastery was the stuff of legend. More than any creative photographer, before or since, he reveled in the theory and practice of the medium. Weston and Strand frequently consulted him for technical advice. Adams developed the famous and highly complex "zone system" of controlling and relating exposure and development, enabling photographers to creatively visualize an image and produce a photograph that matched and expressed that visualization. Founding the f/64 group with Edward Weston in 1932, he developed zone exposure to get maximum tonal range from black-and-white film. He served on the Sierra Club Board (1934-71).

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The seller has recorded the following condition for this lot:
The present work is in excellent condition. There is a very minor chipped edge on the right side. Please see images.

Definition Key
Area
Image The central image area, composition, or focal point; the area inside the margins/plate marks.
Margin Areas bordering the central image, outside the plate marks, or the perimeter area.
Edge The farthest edge of the object.
Verso The reverse/back of the object.



Degree
Minor An existing condition which generally does not involve risk of loss.
Moderate Noticeable damage, increasing in severity and/or size; should be monitored or corrected by a conservator.
Major Distinct, recognizable damage; the stability of the work is questionable and risk is a factor. Requires the attention of a conservator.
Extreme Advanced and severe damage; work is insecure and at great risk.

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Provenance:
  • Ansel Adams Gallery, Yosemite, California, 1975
  • DuMouchelles Fine Arts, Detroit, June 14, 2015, Lot 02022
  • Private Collection, Malibu
  • Ships From: California, USA
  • Shipping Dimensions: 27 x 30.25 x 2 in. (68.58 x 76.84 x 5.08 cm.)
  • Frame Material: Wood
  • Framed Under: Glass
Accepted: Wire Transfer
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