Stephen Shore

American, b. 1947

U.S. 10, Post Falls, Idaho, August 25, 1974, 1974

Chromogenic print (c-print)
7.8 x 9.8 in. (19.81 x 24.89 cm.)
Signed, titled and dated in ink on verso

Printed later

Lot ID

140686
Ending
Estimate

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Susanna Wenniger
Head Of Photographs

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Lot Details

About This Lot

"U.S. 10, Post Falls, Idaho, August 25, 1974" is one of Stephen Shore's most-well known works. It is included in important museum collections, including The Whitney Museum of American Art, New York, The Museum of Modern Art (MoMA), New York, and many others. To craft this image, Shore crossed the country with his large-format view camera, taking snapshots on the road. A playful take on the landscape tradition, this print features neon signs and crates of products as stand-ins for waterfalls and brush. Shores’ nature is kitsch and commercial. His use of color is powerful, bright and acidic.

Stephen Shore is a contemporary American photographer best known for his color images of street corners, plates of food, suburban baseball fields, and parking lots. These subjects are cast with a strange significance by the artist, and embody his belief that the photographic medium is in essence a record of being observant. “I discovered that this camera was the technical means in photography of communicating what the world looks like in a state of heightened awareness,” Shore reflected. “And it’s that awareness of really looking at the everyday world with clear and focused attention that I’m interested in.” Born on October 8, 1947 in New York, NY, Shore began photographing seriously in 1961. That same year, he sold three prints to Edward Steichen, the curator of photography at The Museum of Modern Art at the time. Shore spent his late teens and early 20s hanging out in Andy Warhol’s Factory, documenting the eccentric members of the avant-garde who passed through, in a manner similar to that of the street photographer Robert Frank. In 1971, at the age of 23, he became the first living photographer to be the subject of a solo exhibition at the Metropolitan Museum of Art. During the following decade, he road-tripped through America and Canada, producing a defining series of work which culminated in 1982 with his book, Uncommon Places. Since then, Shore has acted as the director of Bard College’s photography department and continued his exploration of the medium. In 2017, The Museum of Modern Art (MoMA) debuted a comprehensive survey exhibition of Shore, including his early black-and-white works, color prints, digital photographs, and Instagram posts. The artist currently lives and works in New York, NY. Today, his works are held in the collections of the Art Institute of Chicago, the Getty Museum in Los Angeles, and the Metropolitan Museum of Art in New York, among others.

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Publication:
  • Stephen Shore: Uncommon Places, The Complete Works (New York, 2004), p. 98
  • Quentin Bajac, Stephen Shore (New York: The Museum of Modern Art, 2017), p. 266
  • Jonathan Green, American Photography: A Critical History, 1945 to the Present (New York: 1984), p. 140
The seller has recorded the following condition for this lot:
The present work is in excellent condition.

Definition Key
Area
Image The central image area, composition, or focal point; the area inside the margins/plate marks.
Margin Areas bordering the central image, outside the plate marks, or the perimeter area.
Edge The farthest edge of the object.
Verso The reverse/back of the object.



Degree
Minor An existing condition which generally does not involve risk of loss.
Moderate Noticeable damage, increasing in severity and/or size; should be monitored or corrected by a conservator.
Major Distinct, recognizable damage; the stability of the work is questionable and risk is a factor. Requires the attention of a conservator.
Extreme Advanced and severe damage; work is insecure and at great risk.

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Provenance:
  • Jan Kesner Gallery, Los Angeles, 2/16/05
  • Private Collection, California
  • Ships From: California, USA
  • Shipping Dimensions: 7.8 x 9.8 in. (19.81 x 24.89 cm.)
Accepted: Wire Transfer
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