Henri Cartier-Bresson

French, 1908–2004

Rue Mouffetard, Paris, 1954

Gelatin silver print
14 x 9.75 in. (35.56 x 24.76 cm.)
Frame: 21.75 x 17.25 x 1.25 in. (55.24 x 43.82 x 3.18 cm.)
Signed in ink and copyright credit blindstamp in the margin

Printed later

Lot ID

140429
Ending
Estimate

This amount excludes shipping fees, applicable taxes, and will have a Buyer's Premium based on the hammer price of the lot: Buyer's Premium. This amount excludes shipping fees, applicable taxes, and will have a % Buyer's Premium. There is no Buyer's Premium on this lot. Shipping fees and applicable taxes are excluded from the bid amount. There is no Buyer's Premium on this lot. Shipping fees and applicable taxes are excluded from the Buy Now amount.

By placing your bid, you agree to our By clicking , you agree to our Terms of Use.

Anabel Wold
Specialist, Photographs

Sell a similar work

Lot Details

About This Lot

Rue Mouffetard, Paris is one of Henri Cartier-Bresson's most celebrated and beloved photographs. Taken in 1954 on one of the oldest and liveliest streets of Paris, Cartier-Bresson perfectly captures the young boy’s exuberance and feeling of triumph as he proudly carries his two bottles of wine through the neighborhood. Another impression of this image is included in the permanent collection of the Victoria & Albert Museum, London and the International Center of Photography, New York.

Henri Cartier-Bresson (French, 1908–2004) is widely revered as the father of photojournalism and was a co-founder of Magnum Photos. In 1952, he released his groundbreaking monograph, Images à la Sauvette (The Decisive Moment), which has influenced generations of photographers. He is the recipient of four Overseas Press Club of America Award (1948, 1954, 1960, 1964); Prix de la Société Française de Photographie (1959); and the Grand Prix National de la Photographie (1981). His works are included in the permanent collections of the Victoria and Albert Museum, London; Tel Aviv Museum of Art; the J. Paul Getty Museum, Los Angeles; Kahitsukan Kyoto Museum of Contemporary Art; among others.

Read more
Publication:
  • Peter Galassi, Henri Cartier-Bresson: The Man, the Image and the World (London: Thames & Hudson, 2003), pl. 65, p. 70.
  • Peter Galassi, Henri Cartier-Bresson: The Modern Century (London: Thames & Hudson, 2010), pl. 65.
  • Jean-Pierre Montier, Henri Cartier-Bresson and the Artless Art (Boston: Little, Brown, and Co., 1996), pl. 150.
  • Henri Cartier-Bresson: A Propos de Paris (Boston: Bulfinch Press, and Little, Brown, and Co., 1994), pl. 16.
The seller has recorded the following condition for this lot:
The present work is in overall excellent condition, with areas of spotting consistent with later prints by the artist, only visible in raking light.

Definition Key
Area
Image The central image area, composition, or focal point; the area inside the margins/plate marks.
Margin Areas bordering the central image, outside the plate marks, or the perimeter area.
Edge The farthest edge of the object.
Verso The reverse/back of the object.



Degree
Minor An existing condition which generally does not involve risk of loss.
Moderate Noticeable damage, increasing in severity and/or size; should be monitored or corrected by a conservator.
Major Distinct, recognizable damage; the stability of the work is questionable and risk is a factor. Requires the attention of a conservator.
Extreme Advanced and severe damage; work is insecure and at great risk.

CLOSE
Provenance:
  • The Halsted Gallery, Birmingham, Michigan, 1998
  • Phillips New York, Photographs, July 13, 2020, lot 1
  • Private Collection
Exhibition:
  • (Another impression) Exhibited: “Cartier-Bresson: Recent Photographs,” The Museum of Modern Art, New York, June 25–September 2, 1968
  • (Another impression) Exhibited: “Cartier-Bresson: Recent Photographs,” University of Puerto Rico, Río Piedras, Puerto Rico, February 3–20, 1970
  • (Another impression) Exhibited: “Cartier-Bresson: Recent Photographs,” Museum of Contemporary Art, University of São Paulo, Brazil, May 14–June 4, 1970
  • (Another impression) Exhibited: “Cartier-Bresson: Recent Photographs,” Fundaçao Cultural do Distrito Federal, Brazil, June 18–July 5, 1970
  • (Another impression) Exhibited: “Cartier-Bresson: Recent Photographs,” Museum of Modern Art, Rio de Janeiro, Brazil, July 14–August 2, 1970
  • (Another impression) Exhibited: “Cartier-Bresson: Recent Photographs,” Federal University of Minas Gerais, Belo Horizonte, Brazil, August 21–September 4, 1970
  • (Another impression) Exhibited: “Cartier-Bresson: Recent Photographs,” Centro de Arte y Comunicación, Buenos Aires, Argentina, July 23–August 26, 1971
  • Ships From: California, USA
  • Shipping Dimensions: 21.75 x 17.25 x 1.25 in. (55.24 x 43.82 x 3.18 cm.)
  • Frame Material: Wood
  • Framed Under: Plexi; Framed behind OP3 conservation acrylic
Accepted: Wire Transfer
artnet Assurance Policy: Every artnet Auctions seller has been approved by artnet after a thorough review. All of our sellers are required to accept the following artnet policy: A buyer may return an item purchased through artnet Online Auctions, if the item received is not as described in its listing, or is found to be not authentic.
Please see our full Return Policy for details.

Comparable Works

to view comparable works.

More by Henri Cartier-Bresson

Live and Upcoming Sales