Yousuf Karsh

Armenian/Canadian, 1908–2002

Georgia O’Keeffe, 1956

Gelatin silver print
19.75 x 16.8 in. (50.16 x 42.67 cm.)
Frame: 24 x 21 x 2 in. (60.96 x 53.34 x 5.08 cm.)
Signed on mount on recto

Printed later

Lot ID

140656
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Susanna Wenniger
Head Of Photographs

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Lot Details

About This Lot

The Metropolitan Museum of Art has described Karsh as one of the greatest portrait photographers of the twentieth century.

“To photograph this remarkable artist I went to Abiquiu, New Mexico, where O’Keeffe had settled ten years earlier. Her sparse adobe home with wide windows overlooking the mountain was almost completely devoid of ornaments. I expected to find in her personality some of the poetic intensity of her paintings. I found intensity, but the austere intensity of dedication to her work. Her friend and fellow artist Anita Pollitzer says that she is so in love with the things she does that she subordinates all else to win time and freedom to paint. I decided to photograph her as another friend had described her: “Georgia, her pure profile calm, clear; her sleek black hair drawn swiftly back into a tight knot at the nape of her neck; the strong white hands, touching and lifting everything, even the boiled eggs, as if they were living things – sensitive, slow-moving hands, coming out of the black and white, always this black and white.” - Yousuf Karsh

Yousuf Karsh was an Armenian-Canadian photographer known for his portraits of Winston Churchill, Marilyn Monroe, and Albert Einstein. “Within every man and woman a secret is hidden, and as a photographer it is my task to reveal it if I can,” he once explained. “The revelation, if it comes at all, will come in a small fraction of a second with an unconscious gesture, a gleam of the eye, a brief lifting of the mask that all humans wear to conceal their innermost selves from the world.” Born Hovsep Karsh on December 23, 1908 in Mardin, Ottoman Empire (present-day Turkey), he grew up amidst the turmoil of the Armenian Genocide. He and his family fled to Syria before emigrating to Canada as refugees in 1923. Growing up in Quebec, Karsh learned photography from his uncle who ran a portrait studio in the town of Sherbrooke. He later apprenticed under John H. Garo in Boston during the late 1920s. Opening his first studio in Ottawa in 1932, one of Karsh’s early patrons was Canada’s Prime Minister Mackenzie King. King helped the young artist set up appointments to photograph foreign dignitaries visiting the country. Over the decades the followed, he made many notable portraits, including those of Georgia O’Keeffe, Dwight D. Eisenhower, and Nikita Khrushchev. Karsh retired in 1992, and later relocated to Boston, MA, where he died on July 13, 2002 at the age of 93. Today, his works are held in the collections of the National Gallery of Canada in Ottawa, the Metropolitan Museum of Art in New York, and the Royal Collection in London, among others.

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The seller has recorded the following condition for this lot:
The present work is in excellent condition.

Definition Key
Area
Image The central image area, composition, or focal point; the area inside the margins/plate marks.
Margin Areas bordering the central image, outside the plate marks, or the perimeter area.
Edge The farthest edge of the object.
Verso The reverse/back of the object.



Degree
Minor An existing condition which generally does not involve risk of loss.
Moderate Noticeable damage, increasing in severity and/or size; should be monitored or corrected by a conservator.
Major Distinct, recognizable damage; the stability of the work is questionable and risk is a factor. Requires the attention of a conservator.
Extreme Advanced and severe damage; work is insecure and at great risk.

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Provenance:
  • Weston Gallery, California
  • Private Collection, Malibu
  • Ships From: California, USA
  • Shipping Dimensions: 24 x 21 x 2 in. (60.96 x 53.34 x 5.08 cm.)
  • Frame Material: Wood
  • Framed Under: Glass
Accepted: Wire Transfer
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