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    Shara Hughes

    American, b. 1981

    Split Ends, 2016

    Archival pigment print in colors on wove paper
    24 x 21 in. (60.96 x 53.34 cm.)
    Frame: 27.25 x 24.25 x 1.5 in. (69.22 x 61.6 x 3.81 cm.)
    Signed, dated and numbered in black ink on accompanied Certificate of Authenticity

    Edition of 50
    Exhibition A, New York, pub.

    Lot ID

    136644
    Ended Wednesday, April 27, 2022
    Estimate
    Diego Arellano
    Junior Specialist, Prints & Multiples

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    About This Lot

    Shara Hughes is a contemporary American artist known for her colorful invented landscapes. Employing varied marks, Hughes loosely depicts floating moons, gnarled trees, and blazing sunlight. As in the paintings of David Hockney and Charles Burchfield, Hughes’ works defy conventional depictions of space and light. The imaginative nature of her flower paintings differ markedly from the artists Georgia O’Keefe and Vincent Van Gogh, who drew inspiration from real life sources. In the present lot, Split Ends, Hughes applies her vibrant and surrealistic sensibilities to subvert the history of the genre and emphasize the suspension of our lived environment in constant states of change.

    Born in 1981 in Atlanta, Hughes received her Bachelor of Fine Arts from the Rhode Island School of Design in 2004. She went on to attend the Skowhegan School of Painting and Sculpture in 2011 and in 2017, the artist was included in the Whitney Biennial. Today, her works are held in the collections of the Metropolitan Museum of Art in New York, the Denver Art Museum, and the Smithsonian American Art Museum in Washington, D.C., among others. The artist currently lives and works in Brooklyn, NY.

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    The seller has recorded the following condition for this lot:
    The present work is in excellent condition. Examined in the frame. Please see additional images.

    Definition Key
    Area
    Image The central image area, composition, or focal point; the area inside the margins/plate marks.
    Margin Areas bordering the central image, outside the plate marks, or the perimeter area.
    Edge The farthest edge of the object.
    Verso The reverse/back of the object.



    Degree
    Minor An existing condition which generally does not involve risk of loss.
    Moderate Noticeable damage, increasing in severity and/or size; should be monitored or corrected by a conservator.
    Major Distinct, recognizable damage; the stability of the work is questionable and risk is a factor. Requires the attention of a conservator.
    Extreme Advanced and severe damage; work is insecure and at great risk.

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    • Ships From: New York, USA
    • Shipping Dimensions: 27.25 x 24.25 x 1.5 in. (69.22 x 61.6 x 3.81 cm.)
    • Frame Material: Plastic
    • Framed Under: Glass
    Accepted: Wire Transfer
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