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    Andreas Gursky

    German, b. 1955

    Pyongyang III, 2007

    Chromogenic print (c-print), face-mounted to plexi in artist's frame
    Framed: 81.5 x 166.14 in. (207 x 422 cm.)
    Signed in ink on print verso and on label affixed to frame verso

    Edition 5/6

    Lot ID

    135242
    Ended Wednesday, September 29, 2021
    Estimate
    Susanna Wenniger
    Head Of Photographs

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    About This Lot

    Andreas Gursky explores the intersection of human culture and nature in large-scale studies of leisure sites, traffic hubs, transit zones, and massive public events. As a graduate of the Kunstakademie Düsseldorf, his practice is influenced by Bernd and Hilla Becher’s distanced, technically precise approach to typology. Yet unlike his teachers, he does not work in series. Instead, Gursky concentrates on single works, creating richly detailed tableaus that occupy the entire picture plane, rather than focusing centrally on one point.

    The monumental image is one of five works depicting the Arirang Festival in North Korea in 2007. Gursky captures the monumental scale of human spectacle only achievable in single remaining outpost of communist dictatorship. The annual festival occurs at Rungrado Day Stadium, the largest stadium in the world, in honor of the birth of North Korea's former leader Kim II Sung. The ceremony features tens of thousands of gymnasts performing a routine in exact harmony, while thirty thousand strictly disciplined school children turn over a series of cards revealing various patriotic symbols and slogans. The resulting performance is both visually stunning and representative of the oppression of those performing. Gursky's composition is the modern equivalent of a large-scale history painting, providing a dramatically, perfectly composed glimpse of a fraught political environment.

    Andreas Gursky (b. 1955) is a German artist who photographs built and natural environments on a grand scale. He studied under Bernd and Hilla Becher at the Kunstakademie Düsseldorf in the 1980s, and their penchant for systematically documenting buildings and industrial machinery has inluenced the photographer’s aesthetics. Emerging in the 1990s as an important figure in contemporary German art, Gursky had a mid-career retrospective at the Kunsthalle Düsseldorf in 1998, and another retrospective in 2001, organized by The Museum of Modern Art in New York. Gursky’s works are in the permanent collections of the Metropolitan Museum of Art in New York, Solomon R. Guggenheim Museum in New York, San Francisco Museum of Modern Art, and the Tate Modern in London. He lives and works in Düsseldorf, Germany.

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    The seller has recorded the following condition for this lot:
    The present work is in excellent condition.

    Definition Key
    Area
    Image The central image area, composition, or focal point; the area inside the margins/plate marks.
    Margin Areas bordering the central image, outside the plate marks, or the perimeter area.
    Edge The farthest edge of the object.
    Verso The reverse/back of the object.



    Degree
    Minor An existing condition which generally does not involve risk of loss.
    Moderate Noticeable damage, increasing in severity and/or size; should be monitored or corrected by a conservator.
    Major Distinct, recognizable damage; the stability of the work is questionable and risk is a factor. Requires the attention of a conservator.
    Extreme Advanced and severe damage; work is insecure and at great risk.

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    Provenance:
    • White Cube, London
    • Private Collection, Switzerland
    Exhibition:
    • Sharjah, Sharjah Art Museum, Selections: Territories of Change, June - August 2013 (ed. no. unknown)
    • Krefeld, Kunstmuseum Krefeld, Haus Lange und Haus Esters; Stockholm, Moderna Museet; and Vancouver, Vancouver Art Gallery, Andreas Gursky: Werke - Works 80-08, October 2008 - September 2009, pp. 228-29, illustrated in colour (ed. no. unknown, smaller edition)
    • Kiev, Pinchuk Art Center, Rhine on the Dnipro: Julia Stoschek Collection/Andreas Gursky, September 2008 - December 2008 (ed. no. unknown)
    • Basel, Kunstmuseum, Andreas Gursky, October 2007 - February 2008, pp. 96-97 (ed. no. unknown)
    • London, White Cube, Andreas Gursky, March - May 2007 (ed. no. unknown) New York, Matthew Marks Gallery, Andreas Gursky, May - June 2007 (ed. no. unknown)
    • Munich, Haus der Kunst; Istanbul, Istanbul Museum of Modern Art; Sharjah, Sharjah Art Museum; Melbourne, National Gallery of Victoria; and Moscow, Ekaterina Foundation, Andreas Gursky, February 2007 - May 2008, pp. 130-31, illustrated in colour (ed. no. unknown)
    • Ships From: Switzerland
    • Shipping Dimensions: Framed: 81.5 x 166.14 in. (207 x 422 cm.)
    Accepted: Wire Transfer
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