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    Pablo Picasso

    Spanish, 1881–1973

    Portrait de Jacqueline au Chapeau de Paille, 1962

    Linocut in colors on Arches paper
    Image: 25.12 x 20.87 in. (63.8 x 53 cm.)
    Sheet: 29.53 x 24.33 in. (75 x 61.8 cm.)
    Signed and numbered in pencil

    Edition 49/50
    Galerie Louise Leiris, Paris, pub.

    Lot ID

    131790
    Ended Wednesday, September 23, 2020
    Estimate
    Sylvie Francois
    Specialist, Prints & Multiples

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    About This Lot

    The present work was created during a creative burst of activity between 1958 and 1963 when Picasso focused his attention on linocuts. The subject of the present work is Jacqueline Roque (1927-1986), Picasso's second wife and his most significant muse, who stayed by his side through the artist's final years. Picasso met Jacqueline when she was just 26 years old and working at the artist's ceramics studio at the Madoura pottery workshop in Vallauris, France. Picasso produced approximately 150 color linocuts during the 1950s and 1960s, and the most detailed, bold, and impressive works to come out of this time period are those featuring Jacqueline.

    Portrait de Jacqueline au Chapeau de Paille was created the year after Picasso and Jacqueline were married. He captures her youth, beauty and sensuality with both rigid and soft lines and bright colors; her dark, doll-like eyes seem to hold direct contact with the viewer. It tells the beginnings of a 12 year love story, a span in which Pablo Picasso created over 400 images of his wife, more than any other woman of his past.

    Please be advised that due to recent global concerns, there may be fulfillment delays during the post-sale process.

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    Catalogue Raisonné: 1067, Bloch; 1279, Baer
    The seller has recorded the following condition for this lot:
    Generally in good condition with full margins. Hinge remains adhered to verso along upper sheet edge; two handling creases along the upper right sheet edge; faint light- and mat-stain with several associated spots on verso; and the colors slightly attenuated. Please see additional images.

    Definition Key
    Area
    Image The central image area, composition, or focal point; the area inside the margins/plate marks.
    Margin Areas bordering the central image, outside the plate marks, or the perimeter area.
    Edge The farthest edge of the object.
    Verso The reverse/back of the object.



    Degree
    Minor An existing condition which generally does not involve risk of loss.
    Moderate Noticeable damage, increasing in severity and/or size; should be monitored or corrected by a conservator.
    Major Distinct, recognizable damage; the stability of the work is questionable and risk is a factor. Requires the attention of a conservator.
    Extreme Advanced and severe damage; work is insecure and at great risk.

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    Provenance:
    • Gerhard Wurzer Gallery, Houston
    • Private Collection, Colombia
    • Acquired directly from the above by descent
    • Ships From: New York, USA
    • Shipping Dimensions: 29.53 x 24.33 in. (75 x 61.8 cm.)
    Accepted: Wire Transfer
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