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    Rubem Valentim

    Brazilian, 1922–1991

    Emblema, 1984

    Acrylic on canvas
    19.69 x 13.78 in. (50 x 35 cm.)
    Frame: 21.65 x 15.75 x 1.97 in. (55 x 40 x 5 cm.)
    Signed, titled and dated 'RUBEM VALENTIM EMBLEMA-84 1984 Rubem Valetim R.V' and variously inscribed on the reverse

    Lot ID

    135869
    Ended Tuesday, January 25, 2022
    Estimate
    Johannes Vogt
    Head Of Contemporary Art

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    About This Lot

    Rubem Valentim was born in 1922 in Salvador de Bahia, Brazil. As a non-academic artist, trained as a dentist and journalist, Valentim relied on his Afro-Brazilian heritage as inspiration for his colorful geometric works. In his early career, he began to explore Brazilian colonialism, reflecting on the culture of those who were enslaved up through the 19th century. After being inspired by the Constructivist movement in Brazil in the 1950s and 60s, Valentim began producing works that referenced the symbolism of the Afro-Brazilian religion of Candomlé. By reducing religious icons into geometric abstract forms, Valnetim produced vibrant works that semiotically explore the sordid history of Brazil. During this time, he also lived in Rio de Janeiro and became the assistant to Carlos Cavalanti at the Instituto de Belas Artes teaching an art history course. He then moved to Rome in 1963 after receiving a grant from the Salão Nacional de Arte Moderna. Upon returning to Brazil, he moved to Brasilía and began teaching a painting course at the Instituto de Artes da Universidade de Brasília. Rubem Valentim is represented primarily in the Americas; he has been featured internationally in a multitude of solo exhibitions including a retrospective of his work at the Museu de Arte de São Paulo in 2018. His work is held in many prestigious Latin American collections as well as at the Museum of Modern Art in New York City. He continued to live and work in Brazil until his death in 1991.

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    The seller has recorded the following condition for this lot:
    This work appears to be in very good condition overall.

    Definition Key
    Area
    Image The central image area, composition, or focal point; the area inside the margins/plate marks.
    Margin Areas bordering the central image, outside the plate marks, or the perimeter area.
    Edge The farthest edge of the object.
    Verso The reverse/back of the object.



    Degree
    Minor An existing condition which generally does not involve risk of loss.
    Moderate Noticeable damage, increasing in severity and/or size; should be monitored or corrected by a conservator.
    Major Distinct, recognizable damage; the stability of the work is questionable and risk is a factor. Requires the attention of a conservator.
    Extreme Advanced and severe damage; work is insecure and at great risk.

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    Provenance:
    • Felix Conrado Gassiebayle, Rio de Janeiro
    • Acquired from the above by the present owner
    • Ships From: New York, USA
    • Shipping Dimensions: 21.65 x 15.75 x 1.97 in. (55 x 40 x 5 cm.)
    • Frame Material: Wood
    • Framed Under: N/A
    Accepted: Wire Transfer
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