Helmut Newton

Australian/German, 1920–2004

Elsa Peretti, New York, 1975

Gelatin silver print
Image: 14.25 x 9.5 in. (36.2 x 24.13 cm.)
Sheet: 15.63 x 11.75 in. (39.7 x 29.84 cm.)
Frame: 22.25 x 17 x 1.75 in. (56.52 x 43.18 x 4.44 cm.)
Signed in pencil, stamped, and numbered on verso

Edition 12/75

Lot ID

140668
Ending
Estimate

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Anabel Wold
Specialist, Photographs

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Lot Details

About This Lot

This portrait of famed jeweler Elsa Peretti as a bunny is one of Newton's most iconic images. Outfitted in a costume by Halston, Peretti was well-known as a successful model before landing her career-defining collaboration with Tiffany & Co. The present impression is from Private Property Suite I. Renowned for his carefully composed, cinematic photographs, Helmut Newton was one of the 20th century's most influential photographers. He fundamentally changed the nature of fashion photography through his edgy approach to subject matter, and strong formal intuition.

Helmut Newton (1920-2004) was born in Berlin, Germany, and had to abandon his home when the Nazi’s rose to power because of his Jewish heritage. The artist settled in Australia in the 1940s, and later set up a commercial photography studio. From there, Newton built a prolific career shooting models including Cindy Crawford and Charlotte Rampling for well-known magazines including Vogue, Harper’s Bazaar, Playboy, and Elle. Though he continued to work commercially throughout his life, he started to focus on personal projects from the 1970s onward. In 1999, his now-famous book SUMO was released by Taschen publishing house, chronicling decades of his most iconic work. The artist died in an automobile accident on January 23, 2004 at the age of 83 in West Hollywood, California. Today, his photographs can be found in the collections of the Los Angeles County Museum of Art, the National Library of Australia in Canberra, and the International Center of Photography in New York.

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Publication:
  • Vogue, Paris, November 1976, p. 131
  • Helmut Newton, White Women, Schirmer/Mosel, Munich, 1976, p. 15
  • Françoise Marquet, Helmut Newton: Mode et Portraits, Musée d'Art Moderne de la Ville de Paris, 1984, pl. 22
  • Carol Squiers, Helmut Newton Portraits, Pantheon Books, New York, 1987, pl. 25
  • Terence Pepper, Portraits Helmut Newton, National Portrait Gallery, London, 1988, p. 33, pl. 17
  • Marshall Blonsky and Helmut Newton, Private Property, Schirmer/Mosel, Munich, 1989, cover
  • Felix Zdenek, The Best of Helmut Newton: Selections from His Photographic Work, Schirmer/Mosel, Munich, 1993, pl. 40
  • Helmut Newton for Press Freedom, Reporters Without Borders, Paris, 2003, cover and p. 41
The seller has recorded the following condition for this lot:
There are no apparent condition issues.

Definition Key
Area
Image The central image area, composition, or focal point; the area inside the margins/plate marks.
Margin Areas bordering the central image, outside the plate marks, or the perimeter area.
Edge The farthest edge of the object.
Verso The reverse/back of the object.



Degree
Minor An existing condition which generally does not involve risk of loss.
Moderate Noticeable damage, increasing in severity and/or size; should be monitored or corrected by a conservator.
Major Distinct, recognizable damage; the stability of the work is questionable and risk is a factor. Requires the attention of a conservator.
Extreme Advanced and severe damage; work is insecure and at great risk.

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Provenance:
  • Fraenkel Gallery, San Francisco
  • Modernism Inc., San Francisco
  • Ships From: California, USA
  • Shipping Dimensions: 22.25 x 17 x 1.75 in. (56.52 x 43.18 x 4.44 cm.)
  • Frame Material: Wood
  • Framed Under: Plexi
Accepted: Wire Transfer
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